UPDATED with latest schedule changes: As we dive deeper into this year's awards season, here's your comprehensive roadmap to all the major ceremonies and nomination announcements leading up to Hollywood's biggest nights.

By Tom Hals

It was Alexa Vasko’s first pair of goals in an Ottawa Charge sweater that lifted her team over the Minnesota Frost just days after a 5-0 romp in their Takeover Tour game in Carolina.

SEOUL (Reuters) - Samsung Electronics has decided to cancel 3.05 trillion won ($2.11 billion) worth of its own shares that it had acquired previously, the company said in a regulatory filing.

Team Canada picked up a massive 5-3 win over Team Finland on Feb. 17. With this, they have advanced to the 4 Nations Face-Off Final and will get their rematch against Team USA.

Suncor Energy (SU.TO)(SU) CEO Rich Kruger says his company is better prepared than its Canadian oil and gas rivals to withstand a trade war with the United States, echoing recent comments from Bay Street analysts.

Shares of Lightspeed Commerce (LSPD.TO)(LSPD) fell as much as 18 per cent on Thursday, after the company dropped plans for a potential sale and says it will remain public while introducing a $400 million share repurchase program.

Bruce Glikas/Getty; Jeff Kravitz/FilmMagic

“Nothing in his life became him like the leaving it.” OK, that’s the wrong play since it’s a line from “Macbeth,” but it best sums up Jonathan Bailey’s performance in the new London production of “Richard II”: The actor cranks up several gears the moment his character is forced by usurper Henry Bullingbrook to give up the throne of England for a life of imprisonment in the second half of director Nicholas Hytner’s staging of Shakespeare’s history play. But the fact that Bailey takes time to catch fire is not entirely his fault, since neither Shakespeare nor Hytner make life easy for him. Given that the play is set at the close of the 14th century, it’s no surprise that Hytner believes the play, which depicts the ushering in of a nation’s decades-long succession crisis, needs contemporary reference points. That explains composer Grant Olding’s doom-laden, grinding, low strings that herald a driving rhythm and a light-touch, bitter piano melody opening the production, a clear hat-tip to Nicholas Britell’s Beethoven-tinged theme to “Succession.” It also governs Bob Crowley’s crisp men-in-black-suits design. The antithesis of the exuberantly colored “Guys and Dolls,” the last show to play at Hytner’s physically versatile Bridge Theatre (and which ran almost two years), this limited run of “Richard II” is stripped-down and stern. Gone is the expected heraldry and splendor of the English court in which King Richard traditionally basks. Instead, the audience is arranged in the round observing a traverse-style black runway staging with changing, minimal locations being lifted up through the floor on hydraulics. It makes for welcome fluidity, highly useful in a play that, for the first half at least, moves through an uncomfortable number of locations and a load of exposition.This is a story about the threat to the kingdom and, specifically, Richard, who ruled neither wisely nor well with absolute power by ancient Divine Right. The nation is torn apart by the plots and counterplots of men and their forces loyal to the crown and those backing Henry Bullingbrook, the Duke of Hereford who, successfully as it turns out, puts his eyes on the ultimate prize and steals it.That the tussle for dominance between the men is so potentially dramatic is illustrated by the fact that around fifty years ago, Richard Pasco and Ian Richardson, two leading Shakespeareans of their day, alternated the roles when they led the play in a celebrated RSC production. Here, alas, the balance is uneven. Royce Pierreson is nicely forthright and determined but his performance is unvarying. The wonderfully character-driven abdication scene between the two men is the production’s highpoint, but elsewhere Pierreson’s determination is too one-note. Anyone questioning the wisdom of the star-casting of “Bridgerton” and “Wicked” talent Bailey should bear in mind that he played Cassio in Hytner’s riveting “Othello” at the National Theatre back in 2013 and followed that with an arresting Edgar/Mad Tom opposite Ian McKellen’s King Lear for director Jonathan Munby. As a result, his handling of the language and, crucially, the intent behind it, is entirely easeful. His king is self-satisfied and perfectly petulant, dispatching orders, and often men’s lives, with gleaming disdain. He’s even better when he’s calmly and quietly coming to understand himself and the nature of his previous selfishness in the play’s highly reflective and tender final scenes.But between those extremes of temperament, the living center of the character remains unseen, robbing the production of strength. That’s partly because he has to energize scenes that here lack force. Hytner is unquestionably one of the great directors of Shakespeare, but this production is uncharacteristically undercast in places. Some of the acting proves more proficient than powerful.

After Team Canada beat Finland 5-3, they booked their place against Team USA in the 4 Nations Face-Off final.

MEXICO CITY (AP) — Mexico said Monday it's awaiting a new response from Google to its request that the tech company fully restore the name Gulf of Mexico to its Google Maps service before filing a lawsuit.

It’s taken eight seasons, but I’m finally doing it: I’m publicly sticking up for a Love Is Blind man. (I know, I know — but hear me out!)

By Kanishka Singh

A handful of Concacaf Champions Cup round-of-16 ties were settled Tuesday evening, and there was plenty of drama on offer.

Chip Somodevilla/Getty

Angela Bassett didn't shed any tears when she dropped her kids off at college. The 66-year-old actress has revealed that she felt "lots of joy" when she dropped her 19-year-old twins, Bronwyn and Slater, off at their new school. The award-winning star - who has been married to actor Courtney B. Vance since 1997 - told the 'Today' show: "You know what, no tears. Just lots of joy. "You think you're going to cry, and because you think you are going to do that, it doesn't happen. I remember when I went to college and how wonderful it was, so, of course, I wanted that for them too, so no cries, no guilt." Angela previously insisted that she will support her kids if they follow her into the movie business. The Hollywood star revealed that she will always support her children - irrespective of what they do in their careers. Speaking about her kids' interests, Angela explained to PEOPLE: "They want to follow the success, but whether it be acting, I don't get any clues to that right now. It's a little music, a little sports. But whatever they want to do, I support them." Angela previously won the Golden Globe Award for Best Supporting Actress for her performance in 'Black Panther: Wakanda Forever', and the movie star revealed that she celebrated her success with her kids. The acclaimed actress - who has won a host of awards during her career, including a Primetime Emmy Award and two Golden Globe Awards - said: "I went home and hugged my kids. They were really excited for mom to bring home a statue."

All it takes is a fellow vigilante to get Matt Murdock back into action–unofficially, that is, and not yet in his firetruck red suit. The second episode of the Disney+ series Daredevil: Born Again starts out very much like a legal procedural. Nothing to see here! No crazy violence or anything. Just a regular crime show, like Law & Order: MCU.