Rangers' Playoff Hopes Take Another Hit With Loss To Jets

On every game day this season, THN Fantasy will highlight players and goalies for fantasy managers to stream or roster for the rest of the season. The recommended players and goalies are rostered in less than 50 percent of Yahoo leagues and can be selected in standard fantasy leagues or for daily fantasy games.

If you grew up with a parent who had unpredictable bursts of anger or if you felt like you were responsible for managing their emotions, you may have had an “eggshell parent.”

The National Weather Service issued “increased fire danger” alerts for North and South Carolina on Tuesday as firefighter crews continued to battle more than 170 wildfires across both states since last weekend. The fires have prompted evacuations in certain areas and a state of emergency declaration.

By Valerie Volcovici and David Shepardson

BEIJING (Reuters) - U.S. automaker Tesla said on Tuesday it has started mass production of the revamped version of its Model Y in its Shanghai factory.

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links."

Former Vice President Kamala Harris has signed with CAA for representation in all areas, with a focus on speaking engagements and publishing. CAA will work closely with Harris on her post-White House initiatives, creating strategic opportunities that expand her platform in support of the issues she has championed throughout decades-long career in public service.

While economists expect the Bank of Canada to continue its loosening cycle and cut interest rates on Wednesday, U.S. President Donald Trump’s threat of 25 per cent tariffs has left longer forecasts up in the air, and could see the Bank change its path and potentially even reverse course.

Lara Solanki/Netflix© 2024

Chris Kreider is set to make his 4 Nations Face-Off debut on Monday night with Matthew Tkachuk out with an unidentified injury.

Bruce Glikas/Getty; Jeff Kravitz/FilmMagic

The 56th NAACP Image Awards have officially kicked off with Ayo Edebiri, Keke Palmer, Marlon Wayans and Jamie Foxx among the first set of winners during the pre-awards ceremony.

Protein seems to be everywhere lately. When you think of protein-rich foods, waffles, cookies and chips probably don’t come to mind — but, a number of protein-enriched snack foods like these have risen in popularity, and people are embracing them to increase their protein intake. 

“Nothing in his life became him like the leaving it.” OK, that’s the wrong play since it’s a line from “Macbeth,” but it best sums up Jonathan Bailey’s performance in the new London production of “Richard II”: The actor cranks up several gears the moment his character is forced by usurper Henry Bullingbrook to give up the throne of England for a life of imprisonment in the second half of director Nicholas Hytner’s staging of Shakespeare’s history play. But the fact that Bailey takes time to catch fire is not entirely his fault, since neither Shakespeare nor Hytner make life easy for him. Given that the play is set at the close of the 14th century, it’s no surprise that Hytner believes the play, which depicts the ushering in of a nation’s decades-long succession crisis, needs contemporary reference points. That explains composer Grant Olding’s doom-laden, grinding, low strings that herald a driving rhythm and a light-touch, bitter piano melody opening the production, a clear hat-tip to Nicholas Britell’s Beethoven-tinged theme to “Succession.” It also governs Bob Crowley’s crisp men-in-black-suits design. The antithesis of the exuberantly colored “Guys and Dolls,” the last show to play at Hytner’s physically versatile Bridge Theatre (and which ran almost two years), this limited run of “Richard II” is stripped-down and stern. Gone is the expected heraldry and splendor of the English court in which King Richard traditionally basks. Instead, the audience is arranged in the round observing a traverse-style black runway staging with changing, minimal locations being lifted up through the floor on hydraulics. It makes for welcome fluidity, highly useful in a play that, for the first half at least, moves through an uncomfortable number of locations and a load of exposition.This is a story about the threat to the kingdom and, specifically, Richard, who ruled neither wisely nor well with absolute power by ancient Divine Right. The nation is torn apart by the plots and counterplots of men and their forces loyal to the crown and those backing Henry Bullingbrook, the Duke of Hereford who, successfully as it turns out, puts his eyes on the ultimate prize and steals it.That the tussle for dominance between the men is so potentially dramatic is illustrated by the fact that around fifty years ago, Richard Pasco and Ian Richardson, two leading Shakespeareans of their day, alternated the roles when they led the play in a celebrated RSC production. Here, alas, the balance is uneven. Royce Pierreson is nicely forthright and determined but his performance is unvarying. The wonderfully character-driven abdication scene between the two men is the production’s highpoint, but elsewhere Pierreson’s determination is too one-note. Anyone questioning the wisdom of the star-casting of “Bridgerton” and “Wicked” talent Bailey should bear in mind that he played Cassio in Hytner’s riveting “Othello” at the National Theatre back in 2013 and followed that with an arresting Edgar/Mad Tom opposite Ian McKellen’s King Lear for director Jonathan Munby. As a result, his handling of the language and, crucially, the intent behind it, is entirely easeful. His king is self-satisfied and perfectly petulant, dispatching orders, and often men’s lives, with gleaming disdain. He’s even better when he’s calmly and quietly coming to understand himself and the nature of his previous selfishness in the play’s highly reflective and tender final scenes.But between those extremes of temperament, the living center of the character remains unseen, robbing the production of strength. That’s partly because he has to energize scenes that here lack force. Hytner is unquestionably one of the great directors of Shakespeare, but this production is uncharacteristically undercast in places. Some of the acting proves more proficient than powerful.

Welcome to Horror Explorer, a curated column showcasing the month’s best movies, series, books and everything else spooky worth checking out. I’m William Earl, the editor of Variety.com and the publication’s resident horror enthusiast. Please drop me a line at [email protected] if there’s something I should check out for next month’s missive.

As the head of President Trump’s new Department of Government Efficiency (DOGE), Tesla CEO Elon Musk has vowed to cut between $1 trillion and $2 trillion from the annual federal budget by 2026.

Earl Gibson III/GG2025/Penske Media via Getty

Aerin Frankel and the Boston Fleet have torpedoed the New York Sirens into the depths of midseason despair in the PWHL.

Fixed mortgage rates in Canada have fallen in recent days as risks to the economy push Canadian bond yields to significant lows, a mortgage expert says.